On the legacy of post-painterly abstraction, occasioned by the exhibition and catalogue for “Color as Field: American Painting 1950–1975.” In 1964, Clement Greenberg was invited by the Los Angeles ...

The sixth edition of the GEMS: Collecting Post-War Abstraction sale, curated by art world veteran Dakota Sica, is now live for bidding on Artnet Auctions through March 25. Below, we spoke to Sica ...

Welcome to One Fine Show, where Observer highlights a recently opened exhibition at a museum outside New York City—a place we know and love that already receives plenty of attention. An installation ...

Helen Frankenthaler, “Canal” (1963), acrylic on canvas, 208.3 x 146.1 cm (Solomon R. Guggenheim Museum, New York; purchased with the aid of funds from the National Endowment for the Arts, in ...

This first full-scale examination of the Color Field Movement—which emerged in the U.S. in the 1950s—features approximately 40 paintings by such major figures as Gene Davis, Helen Frankenthaler, ...

The artist’s earliest Color Field paintings, with their indomitable colors, austere compositions and wild pictorial spaces, are among the movement’s signal achievements. By Roberta Smith In the early ...