Georg Baselitz, "Sing Sang Zero," (2011) is modeled on the artist and his wife Elke, a life-long inspiration and artistic partner Ten timber sculptures by the German artist Georg Baselitz, each shaped ...

Georg Baselitz has always been an iconoclast. Trained in social realism in East Germany, he was kicked out and came to West Berlin in 1957. He brought with him a talent for provocation and a ...

Georg Baselitz, “Untitled” (1984), graphite and watercolor on paper, The Morgan Library & Museum, gift of the Baselitz Family; 2022.107 (© 2022 Georg Baselitz) One of the most celebrated contemporary ...

Add Yahoo as a preferred source to see more of our stories on Google. German artist Georg Baselitz comes to the Pinakothek der Moderne for the preview of his exhibition "Malelade". Baselitz, 87, must ...

84.5 x 64.5 cm. (33.3 x 25.4 in.) Counting among his influences Art Brut, Art Informel and Abstract Expressionism, Georg Baselitz's production ranges from painting, drawing and printmaking to ...

Women, ladies, girls, however you identify — if you’ve got two X chromosomes, I’m talking to you, and I have an unfortunate announcement: You can’t paint. At least not well. So if you’re thinking ...

Georg Baselitz is a German artist known for his Neo-Expressionist paintings rendered with distinctive brushwork and often exhibited upside down. His practice, which includes sculpture and printmaking, ...

At this year’s Salzburg Festival, the German artist has designed marionettes for a troupe that usually performs “The Sound of Music.” By Ben Miller and Laetitia Vançon The difference between two ...

"Published on the occasion of the exhibition ... held at Haus der Kunst in Munich, from September 19, 2014 to February 1, 2015, and at the Powerstation of Art (PSA), Shanghai, from March 20 to June 21 ...

"Baselitz: Six Decades" is the first major US retrospective in more than twenty years of one of Germany’s greatest living artists, Georg Baselitz. With more than 100 works highlighting every phase of ...

A blockbuster restaging of an “art amusement park” from 1987 aims to recover a lost element in art — fun. But in our age of hype and commerce, was it doomed to fall short? By Walker Mimms Classic ...