Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. New Amsterdam Opera has announced the cast for its spring production of ...

Ask Miss Manners and I'm sure she'll agree: When a company like the San Francisco Opera adds a work to its repertoire specifically as a vehicle for your return, it's only right to pitch in and give a ...

Double your bel canto pleasure when two of opera’s most celebrated sopranos make their Washington National Opera debuts in “Lucrezia Borgia.” Sondra Radvanovsky and Renee Fleming share the title role ...

San Francisco Opera’s “Lucrezia Borgia” is a handsome production about a psychotic mom with a heart. Given its juicy and even kinky subject matter — power politics, poisonings and intimations of ...

When the history books on 21st century film are written, Mike Figgis will play a founding father role. Timecode (2000) was one of the world's first digital movies, a film that sang in four ...

Thought experiment: Picture Edward Hopper's Nighthawks done up in sunny springtime pastels. Now imagine Lady Macbeth pausing midsleepwalk to reel off a tender rendition of “The Rainbow Connection.” If ...

Making his opera helming debut, Mike Figgis is clearly not short of ideas about "Lucrezia Borgia." Filled with lustful looks and heaving bosoms plus gratuitous nudity (female, of course), Figgis’ ...

As the opera ends, Gennaro is dead and Lucrezia (soprano Renee Fleming) mourns with the moving aria "Era desso il figlio mio" -- "He was my son" -- leading directly to the bombastic finale. The ...

As the opera ends, Gennaro is dead and Lucrezia (soprano Renee Fleming) mourns with the moving aria "Era desso il figlio mio" -- "He was my son" -- leading directly to the bombastic finale. The ...

This article was originally on a blog post platform and may be missing photos, graphics or links. See About archive blog posts. The city’s nimble, national and traditionally daring second company has ...

Notwithstanding its many faults, it felt like the silver screen's Ring cycle. Last night saw Figgis try his hand at a real Gesamtkunstwerk, Donizetti's rarely heard Lucrezia Borgia (1833). Could he ...