Editor’s Note: This article was photographed for Mosaic, an independent journalism training program for high school students who report and photograph stories under the guidance of professional ...
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook The Cleveland Orchestra’s staging of Mozart’s “The Magic Flute” was a reminder that ensembles can help fill the gap as opera grows ...
On Simon McBurney’s production of Mozart’s opera at the Met. In a review, productions often have pride of place—this goes double, or triple, for new ones. Singing and playing are afterthoughts. With ...
THE MAGIC FLUTE, an opera by Mozart with spoken dialog, shortened and sung in English with projected subtitles, conducted by JoAnn Falletta, stage directed by Paul Mockovak and Julie Newell, with Adam ...
When it comes to a work that is more than 200 years old, it’s hard to imagine there’s any surprises left. But if you happen to find yourself with a ticket to the Seattle Opera performance of Mozart’s ...
CLEVELAND, Ohio – The first time Austrian theater and opera director Nikolaus Habjan heard “The Magic Flute,” at age 4, he was smitten, transfixed. He was a busy, restless child, but when he ...
As the houselights dim at the Metropolitan Opera, the Julie Taymor–directed The Magic Flute transports viewers into a buoyant and kaleidoscopic fairy-tale dreamworld. This abridged, English-language ...
When conductor Louis Lohraseb and director R.B. Schlather first fell in love with Mozart’s “The Magic Flute,” they were children captivated by its wonder and humanity. Decades later, the two artists ...
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