Though he’s been active in the industry for nearly two decades, cinematographer Erik Messerschmidt made his feature film debut last year with David Fincher’s silvery period drama “Mank.” Messerschmidt ...
Add Yahoo as a preferred source to see more of our stories on Google. Before 1967, the Best Production Design Oscar was split in two, with separate awards for color films and black and white films.
Costume designer Trish Summerville, who has previously worked with David Fincher on “The Girl with the Dragon Tattoo” and “Gone Girl,” says she was very excited when she learned the director wanted to ...
The wait for David Fincher‘s “Mank” is not quite over, but the social media embargo lifted on Thursday night, allowing critics to give their first impressions of the director’s latest film. Nearly ...
On Thursday, the Set Decorators Society of America announced the winners of the inaugural SDSA Awards, which recognizes excellence in the art of set decoration for film. Topping the winners list was ...
As his story is poised to earn some top prizes at the 93rd annual Academy Awards, Herman Mankiewicz’s grandson is revealing why the writer skipped attending the show for his own win in 1942.
Adam Chitwood is a former Managing Editor at Collider, where he covered film and television with a focus on interviews, features, and industry analysis. Eric Roth knows a thing or two about ...
Before 1967, the Best Production Design Oscar was split in two, with separate awards for color films and black and white films. And in the 53 years since the Academy combined the category into one, ...
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