From the mystical overtones of “Ghost” to the primitive sounds of “Mad Max Beyond Thunderdome,” to the Russian balalaikas in “Doctor Zhivago,” composer Maurice Jarre always seemed to find the right ...
THE cinema, as he remembered it, was off Trafalgar Square. It was small, stuffy and dark. And there, over 40 hours in early 1962, Maurice Jarre watched the first rough cut of David Lean's “Lawrence of ...
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