Nicholas Brownlee and his powerful bass-baritone voice went from small-town Alabama to the top of the opera world, performing ...
Nicholas Brownlee had just fallen in love with opera and was eager to see if his emerging bass-baritone voice could handle ...
A revival of Handel’s “Giulio Cesare” this summer at Glyndebourne, an English opera festival, features three countertenors with three different sounds. By David Belcher It’s a good time to be a ...
“Be as a tower, that, firmly set,” the ghost of Virgil advises Dante as the pair navigates the Inferno of the Divine Comedy, “shakes not its top for any blast that blows!” Few human towers more fully ...
“The Other Side of Silence,” a new work in development, is experimenting with giving operatic voice to a text-to-speech synthesizer. By Corinna da Fonseca-Wollheim Reporting from Troy, N.Y. See more ...
At the College of Music, we’re privileged to have talented artists in every office: Of course, our passionate students and dedicated faculty, but also our incredibly accomplished staff members.
NORTHAMPTON — The Virtuosi Opera Project had more than a few good reasons to pick “Carmen,” the much-beloved romantic tragedy by Georges Bizet, for its Western Massachusetts debut at the Academy of ...
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