Performances in N.Y.C. Advertisement Supported by Toting a loaded gun on the podium, Artur Rodzinski turned ensembles into technical marvels in the 1930s and ’40s. By David Allen “For those who grew ...
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook A pair of new recordings bring holy grail artifacts by the composer-pianists James P. Johnson and Mary Lou Williams into the light.
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